GLENN HUGHES (Live)

At the O2 Academy, Newcastle, U.K., October 11, 2018

GLENN HUGHES (Live at the O2 Academy, Newcastle, U.K., October 11, 2018)
Photo: Mick Burgess

Glenn Hughes was already a “name” in his own right with Power Funk trio Trapeze, before Deep Purple came calling to replace the recently departed Ian Gillan and Roger Glover. Initially expecting to share vocals with Bad Company’s Paul Rodgers, Hughes enthusiastically enlisted only to find Rodgers changed his mind and a previously unknown David Coverdale in his place. Deep Purple Mark III was born.

Over a three-year period Hughes was an integral part of Deep Purple as bassist and vocalist on the classic Burn and Stormbringer albums and finally Come Taste The Band featuring Tommy Bolin in for original guitarist Ritchie Blackmore before the band imploded in Liverpool in 1976.

After a period in the comparative wilderness of the 80s Hughes pulled himself up by his bootstraps, got himself clean and healthy and has never looked back since with almost a dozen solo albums to his credit since the early ’90s covering an array of styles from Blues, Rock, Funk and Soul not to mention the impressive three albums by the supergroup Black Country Communion that he put together with Joe Bonamassa.

It is however, it is that period with Deep Purple that he is indelibly linked with and Hughes decided to embark on a full blown tour celebrating the music that he created and performed during his time in one of Rock’s truly legendary bands.

Word from The States was that these shows were going down a storm so rather appropriately Hughes kicked off with a rampant Stormbringer kicking the doors well and truly in followed by a swift mid-paced punch of Might Just Take Your Life.

While Purple’s guitarist Ritchie Blackmore balked at the Funk elements brought into the band, Hughes excelled and Sail Away was one of his best. Tonight, with its monumental groove, it was magnificent.

While Hughes was in the groove where else could he go but Getting’ Tighter where the Funk strutted like a preening peacock. Hughes was in his element.

Stevie Wonder once hailed Hughes as his favourite white Soul singer while KLF dubbed him the voice of Rock and this is testimony to the versatility of his voice which has remained undiminished with the passage of time sounding every bit as potent as in his Purple heyday. Every song delivered in its original key and every note hit to perfection. In You Keep On Movin’ Hughes showed the beautiful soulful tenderness to his voice together with the soaring range that made this one of the standouts of the night.

Purple rarities High Ball Shooter and You Fool No One were expanded and stretched out to give his band the chance to show their chops just like they did back in the days of the California Jam with guitarist Soren Andersen and keyboardist Jesper Bo Hansen showing some real class.

The heavy Blues groove of Mistreated was the ideal backing for Hughes powerhouse of a voice and he took this opportunity to display his astonishing range and technique.

While this evening was mainly focussed on the music that Hughes created in Deep Purple Mark III and IV he did dip back into the Mark II catalogue for Smoke on The Water which incorporated Georgia On My Mind on the basis that he performed them every night back in the day.

A blistering Burn and a stunning Highway Star, the second Mark II classic of the night, brought the show to a euphoric end and Hughes delivered a classy show that did enormous justice to the Deep Purple legacy.

Review and Photos By Mick Burgess

Author

  • Mick Burgess

    Mick is a reviewer and photographer here at Metal Express Radio, based in the North-East of England. He first fell in love with music after hearing Jeff Wayne's spectacular The War of the Worlds in the cold winter of 1978. Then in the summer of '79 he discovered a copy of Kiss Alive II amongst his sister’s record collection, which literally blew him away! He then quickly found Van Halen I and Rainbow's Down To Earth, and he was well on the way to being rescued from Top 40 radio hell!   Over the ensuing years, he's enjoyed the Classic Rock music of Rush, Blue Oyster Cult, and Deep Purple; the AOR of Journey and Foreigner; the Pomp of Styx and Kansas; the Progressive Metal of Dream Theater, Queensrÿche, and Symphony X; the Goth Metal of Nightwish, Within Temptation, and Epica, and a whole host of other great bands that are too numerous to mention. When he's not listening to music, he watches Sunderland lose more football (soccer) matches than they win, and occasionally, if he has to, he goes to work as a property lawyer.

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1 Comment

  1. Agreed. Only two minor criticisms though, as I didn’t think the keyboard solo
    worked at all, and god bless him I do wish Glenn would cut some of the between song chatter…….just some.

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